The Motion Picture Association rating is PG - parental guidance suggested. The Catholic News Service classification is A-II - adults and adolescents. Lister is the archetypal antihero slacker who is, at his core, a decent person. The film contains a few scatological jokes and a couple of instances each of mild swearing and crass talk. Although race may not be important to the dynamic of Red Dwarf, class is. So the parents of real-life members of Emily’s demographic may want to think twice before greenlighting an encounter with the world’s most famous big red dog. They’re also offset by some potty gags and a bit of vaguely rude dialogue. Yet these messages are not put across very adroitly. Various residents of Emily’s Harlem neighborhood also rally round the duo.Īmong the themes highlighted in Jay Scherick, David Ronn and Blaise Hemingway’s screenplay are the need to accept those who are different, the dangers of bullying and the value of self-confidence. Uncle and niece do, at least, have a reliable ally in the person of Owen (Izaac Wang), a diminutive schoolmate of Emily’s who harbors a not-very-well-concealed secret crush on her. The CEO of a failing biotech firm, Tieran wants to claim that his company’s technology brought about Clifford’s sudden, massive growth spurt. Packard (David Alan Grier), the pet-averse superintendent of Emily’s apartment building, and scheming business executive Zack Tieran (Tony Hale). He had been laboring behind in the scenes in Nashville. Like most overnight sensations, Stapleton had a long, hard road behind him.
#Slacker radio red series#
As Clifford innocently wreaks all manner of slapstick havoc, Emily and Casey find themselves contending with a series of adversaries. Chris Stapleton appeared to be one of those overnight storybook sensations: a troubadour who came out of nowhere to become a major star in the autumn of 2015 on the strength of his debut album Traveller. Significant complications arise the following morning, though, when Emily awakens to discover that her tenderness toward Clifford has magically transformed him, overnight, into a giant.
It’s love at first sight for the affection-hungry lass. Bridwell (John Cleese) - named, of course, in honor of the author - and he introduces her to an irresistible little puppy, Emily perks up considerably. When, however, she and Casey cross paths with eccentric animal rescuer Mr. A slacker who lives in a dilapidated truck, Casey is affectionate but irresponsible. The news that her Uncle Casey (Jack Whitehall) will be baby-sitting her while her busy mom, Maggie (Sienna Guillory), is away on a business trip does nothing to brighten Emily’s mood. Having recently moved to the Big Apple, Emily feels isolated and out of place at her new school. Less curmudgeonly types, by contrast, will find this adaptation of a series of children’s books by Norman Bridwell, the first of which was published in 1963, silly but mostly harmless.ĭirector Walt Becker mixes computer animation and live action to tell the story of lonely New York City preteen Emily Elizabeth Howard (Darby Camp).
NEW YORK (CNS) - Given that it charts the rapidly deepening bond between a kid and a pooch, “Clifford the Big Red Dog” (Paramount) would not, presumably, be a film designed to please the great comedian W.C.
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